Shopping Electronics

http://www.parts-express.com/

https://www.adafruit.com

http://tinkersphere.com/

Week 13

lauragreig.com/radios
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Shana Moulton

http://www.ubu.com/film/moulton_pines.html

Whispering Pines 6, 2004

https://www.youtube.com/watch?v=WNtWstWX5Lg&ebc=

Whispering Pines 8, 2004

(extra https://www.youtube.com/watch?v=iE0vLlaaIeQ)

Whispering Pines 3, 2004

J Jonas

https://youtu.be/qdSEpXrw8vY

Volcanic Saga, 1989

https://www.youtube.com/watch?v=5R8MiCPuCkw

reanimation video/how to

https://www.youtube.com/watch?v=aJ7uME3LbGc

five minutes of reanimation performance, 2014

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Paul Mccarthy 

https://youtu.be/y-zbsGoIcmI
https://youtu.be/eMGU29HW89k
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Geroge Brecht 
Drip Music https://youtu.be/UT5lgaE-qZY
Car Concert https://youtu.be/zj0pxipGNr8

http://www.hauserwirth.com/artists/images-clips-view/?artist_id=25&a=pipilotti-rist&p=10

Pippiloti Rist installations, IMAGE #10

https://youtu.be/a56RPZ_cbdc 

Pipilotti Rist - Ever is Over All, 1997

https://www.youtube.com/watch?v=O7NnbXjJr8o

ELIZABETH PRICE

WEEK 11

PLAYLIST:

**Tony Conrad at Brussels

https://www.youtube.com/watch?v=XCWr4UDvSGA

***TC field recording on Ludlow st (DIY 5-1 system)

https://www.youtube.com/watch?v=b_VZMCHSW2g

****TC Outside the Dream Syndicate 1972

https://www.youtube.com/watch?v=FGMnDcwoXns

(additional –supplemental for posting

Tony Conrad at the Tate

https://www.youtube.com/watch?v=YUKku0YK1Po

TC in german

https://www.youtube.com/watch?v=4eHopwx-8Y

Velvet Underground …drone influence of conrad and angus maclise

https://www.youtube.com/watch?v=9nGsUbZpCKM&feature=youtu.

be

https://www.youtube.com/watch?v=iLQzaLr1enE&nohtml5=False

Vexations, first ambient music, Erik Satie 1893

https://www.youtube.com/watch?v=5KGMo9yOaSU

Brian Eno, Music for Airports 1978

https://www.youtube.com/watch?v=5KGMo9yOaSU

http://www.youtube.com/watch?v=ykJg-vE3k-EBrian Eno - Music For

Airports Interview 3min.

LaMonte Young Eternal Music maybe next week --la monte young

dream house: http://www.youtube.com/watch?v=NBmBAtGva4Y

Week 6

Max Neuhaus

http://www.max-neuhaus.info/audio-video/

Our perception of space depends as much
on what we hear as on what we see. 

Steven Vitiello, A Bell for Every Minute 

https://www.youtube.com/watch?v=8nymgN5MuDI

Alvin Lucier, I Am Sitting in a Room, 1969

FYI symposium https://www.youtube.com/watch?v=v9XJWBZBzq4

https://www.youtube.com/watch?v=fAxHlLK3Oyk 

(better sound quality)

2010 performance 

https://www.youtube.com/watch?v=46e1Y4TefZk

Janet Cardiff: PARADISE INSTITUTE | 2001

http://www.cardiffmiller.com/artworks/inst/paradise_institute.html

ELIZABETH PRICE, Woolworth’s Choir, 1979

http://www.motinternational.org/ep-projects-woolworths-choir.html

https://youtu.be/n9TIPI_JlBg

https://youtu.be/eC-Ss4fZhjE

WOJCIECH BĄKOWSKI (trying to find decent videos to play)

Baby Jesus

Year: 2007

http://artmuseum.pl/en/filmoteka/praca/bakowski-wojciech-jezusku

https://www.youtube.com/watch?v=7kkJc4UNkK0

http://artmuseum.pl/en/kolekcja/praca/bakowski-wojciech-widze-rzeczy-ktorych-nie-ma

http://www.metmuseum.org/events/programs/met-live-arts/soundwalk

Met Sound Walk: 9:09 John Luther Adams….

To The Listener:
A Note from John Luther Adams

It's a well-worn cliché that the streets of the city are noisy. 

But what happens when we decide to listen to the sounds around us not as noise, but as musical voices?

Suddenly, the whole city becomes an enveloping, never-ending piece of music. 

As we walk the streets with open ears, we hear far more than an undifferentiated roar. We discover much more detail than we might imagine—innumerable small sounds and unexpected pools of stillness. At times we can almost hear the city breathing. 

These two Soundwalks are an invitation to listen more deeply to the music of the city.

All the sounds were recorded in the streets between The Met Fifth Avenue and The Met Breuer. In composing these pieces I’ve added nothing more, but simply sculpted and filtered these street sounds to reveal resonances that lie hidden around us all the time.

Listening carefully you may pick out the faint aura of human voices, the ubiquitous chipping of sparrows, echoes from a distant trumpeter, the melodic contours of a jackhammer, or bell tones emanating from the airbrakes of a passing bus.

These pieces are not complete until you are present—listening, walking your own route, and creating your own unique mix with the sounds you encounter.

The ideal listening balance between the "live" and recorded sounds is one in which you aren't always certain whether a sound you're hearing is coming from your ear buds, your imagination, or from the streets around you.

Of Bodies and Spirits: Soundscapes of Byzantine Thessaloniki

http://hyperallergic.com/279695/an-acoustic-museum-of-byzantine-sound/
The sonic intentions of architecture are often lost over the centuries. In 2014, a team of researchers investigated the acoustics of Byzantine churches in Thessaloniki, Greece, to retrieve some of that design through sound mapping....

Week 4 Playlist

Henri Chopin, Vibrespace, 1963

Jaap Blonk, Ursonate (Kurt Schwitters, 1922)

ubu.com/sound/blonk_ursonate86.html

ADDITIONAL INFORMATION/READING BY BLONK: jaapblonk.com/Texts/ursonatewords.html

re: Shannon, re:soundscapes:

SOUND TOURISM MAP
http://www.sonicwonders.org/sound-map/

A Soundmap of Dún Laoghaire 

http://www.cardiffmiller.com/artworks/walks/medici.html

Labyrinth Gives Way to Skin: Maryanne Amacher

Friday, March 4th, 3 PM to 6 PM, $25
Labyrinth Gives Way to Skin: Maryanne Amacher Seminar #1
MORE INFO
TICKETS

Friday, March 4th, 8 PM to 9:30 PM, $12
Labyrinth Gives Way to Skin: Maryanne Amacher Listening Session
MORE INFO
TICKETS

 

Blank Forms is excited to announce Labyrinth Gives Way to Skin, the first in a series of ongoing programs dedicated to exploring the work of pioneering sound artist Maryanne Amacher. Lead by Robert The and Bill Dietz the seminar will investigate Amacher’s rigorous experimental investigation of the psychoacoustic dimensions of perception that she began to develop while a fellow at MIT's Center for Advanced Visual Studies. The seminar will be followed by a listening session comprised of entirely unpublished audio, accompanied by illuminating and likewise unpublished images of scores, notes, and texts selected from the Amacher Archive.
 

American composer and artist Maryanne Amacher (1938 - 2009) is known for her pioneering work in acoustics and architectural installation. She studied in the 1960s with Karlheinz Stockhausen. Her early experiments into the relationship between sound and space led her to a life-long exploration the physiological conditions of hearing. Her body of work spans the telematic City Links series, her investigation of otoacoustic emissions, through to her later exploration of architecturally staged "narrative" presentation formats. Commissioners and collaborators included John Cage, Marvin Minsky, Merce Cunningham, and the Kronos Quartet. In 2005 she received the Prix Ars Electronica Golden Nica Distinction in Computer Music, the festival's highest honor. She presented work in solo and group contexts at the Museum of Contemporary Art, Casa de Serralves, Porto, Portugal; Whitney Biennial (2002); Kunsthalle, Basel; Galerie Nachst St. Stephan, Vienna; Kunstmuseum, Bern; Kunsthalle, Krems; Panasonic Hall, Tokyo; Walker Art Center, Minneapolis; Museum of Contemporary Art, Chicago. 
 

Blank Forms is a new curatorial platform initiated by former ISSUE Project Room Artistic Director (2012-2016) Lawrence Kumpf. Dedicated to the presentation and preservation of time-based performance practices that fall outside  of conventional institutional support systems and traditional disciplines. Working through a variety of curatorial approaches including, but not limited to, online and print publishing, public performances, exhibitions, educational workshops, seminars and residencies, Blank Forms will unveil a series of exciting new projects in 2016.  

http://blankforms.org/